other people's work

Poetry Project #4, Louise Erdrich

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Louise Erdrich (b. 1954) is an Ojibwa writer who writes poetry, novels, children's books, and more. "Jacklight" shares its name with her first critically-acclaimed collection of poetry, published in 1984.

Jacklight

The same Chippewa word is used both for flirting and hunting game, while another Chippewa word connotes both using force in intercourse and also killing a bear with one’s hands.

-R.W. Dunning, Social and Economic Change Among the Northern Ojibwa (1959)

We have come to the edge of the words, out of brown grass where we slept, unseen, out of knotted twigs, out of leaves creaked shut, out of hiding.

At first the light wavered, glancing over us. Then it clenched to a fist of light that pointed, searched out, divided us. Each took the beams like direct blows the heart answers. Each of us moved forward alone.

We have come to the edge of the woods, drawn out of ourselves by this night sun, this battery of polarized acids, that outshines the moon.

We smell them behind it but they are faceless, invisible. We smell the raw steel of their gun barrels, mink oil on leather, their tongues of sour barley. We smell their mothers buried chin-deep in wet dirt. We smell their fathers with scoured knuckles, teeth cracked from hot marrow. We smell their sisters of crushed dogwood, bruised apples, of fractured cups and concussions of burnt hooks.

We smell their breath steaming lightly behind the jacklight. We smell the itch underneath the caked guts on their clothes. We smell their minds like silver hammers cocked back, held in readiness for the first of us to step into the open.

We have come to the edge of the woods, out of brown grass where we slept, unseen, out of leaves creaked shut, out of our hiding. We have come here too long.

It is their turn now, their turn to follow us. Listen, they put down their equipment. It is useless in the tall brush. And now they take the first steps, not knowing how deep the woods are and lightless. How deep the woods are.

Poetry Project #3, Edna St. Vincent Millay

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Edna St. Vincent Millay (1892-1950) was from Rockland, Maine.

 

I Think I Should Have Loved You Presently (Sonnet IX)

I think I should have loved you presently,
And given in earnest words I flung in jest;
And lifted honest eyes for you to see,
And caught your hand against my cheek and breast;
And all my pretty follies flung aside
That won you to me, and beneath your gaze,
Naked of reticence and shorn of pride,
Spread like a chart my little wicked ways.
I, that had been to you, had you remained,
But one more waking from a recurrent dream,
Cherish no less the certain stakes I gained,
And walk your memory’s halls, austere, supreme,
A ghost in marble of a girl you knew
Who would have loved you in a day or two.

Poetry Project #2, Kay Ryan

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Another installment of the Poetry Project for your Monday! Kay Ryan lives in Fairfax, California, and teaches at the College of Martin.

Paired Things

Who, who had only seen wings,
could extrapolate the
skinny sticks of things
birds use for land,
the backward way they bend,
the silly way they stand?
And who, only studying
birdtracks in the sand,
could think those little forks
had decamped on the wind?
So many paired things seem odd.
Who ever would have dreamed
the broad winged raven of despair
would quit the air and go
bandylegged upon the ground,
a common crow?

Poetry Project #1, Li-Young Lee

Hello, all,

Because I always love having something thoughtful to read, I'm starting a new weekly post series where I post a different short poem every Monday (not mine, just some old favorites.) Whether you want to discuss the poem of the week, meditate on it privately, or file it away for your idea notebook, I hope you get something out of it!

Today's poem is from contemporary poet Li-Young Lee.

Enjoy!

 

One Heart

Look at the birds. Even flying
is born

out of nothing. The first sky
is inside you, open

at either end of day.
The work of wings

was always freedom, fastening
one heart to every fallen thing.